Zoe Gilby Quartet - 8 June 2018

 

By Ian Scott

 

Zoe Gilby Quartet

8th June 2018

Continuing the 'Ladies in Jazz' season, we had a first visit to the Bonded Warehouse by the Zoe Gilby Quartet. Zoe on vocals, Mark Williams on guitar, Andy Champion on double bass, and Richard Brown on drums gave us a nicely balanced programme of excellent jazz that really connected with the audience. The quartet had travelled down from their base in Newcastle upon Tyne just for the gig. But this did not affect the vitality of their performance. Zoe provided the lead with her engaging personality and strong vocals, notable for the way she can evoke a mood, a sense of place and tell a story.

The quartet delivered a most cohesive performance. To go with Zoe's vocals we had accomplished guitar solos from Mark Williams, impressive technically and with good melodic feel. Andy Champion laid down a solid bass line and Richard Brown was superb, unobtrusively driving the proceedings with tasteful drumming and just the right dynamic.

The material they covered was a revelation, at least for me but I suspect the audience too. Zoe's advertised use of contemporary pop music gave me some anxiety. I needn't have worried. Zoe's talent for taking unlikely material and making it her own is just what jazz musicians have always done. The Thin Lizzie tune 'Dublin' and the 'Theme from Peaky Blinders' were especially well received. Each set included well known jazz pieces and some compositions of their own with finely crafted lyrics and music. Of the former, we heard 'Caravan' and 'West Coast Blues', complete with crowd-pleasing improvised lyrics about the Bonded Warehouse'. For me the standout was Monk's 'Straight No Chaser'. Many top musicians have avoided Monk's music over the years, wary of its difficulty. But this group gave his song a great workout, memorable for Zoe's mastery of Monkian melody and harmony, and a beautifully constructed bass solo from Andy. They finished the evening with a stunning performance of their original composition 'Red City' (Marrakesh), evoking a strong North African feel.

I have to declare an interest: the Quartet come from my hometown, and using Monk's music is leaning on a open door with me. But I was not alone. The audience were clearly impressed and thoroughly enjoyed the evening. As one of them put it on leaving: "You're a bostin wench". Exactly. And thank you to Devon Harrison for finding this group and bringing them to the Bonded Warehouse.

(Ian Scott leads the Kingswinford U3A Jazz Appreciation group)

 

Patsy Gamble Quartet - 11 May 2018

 

By Ian Scott, Kingswinford U3A Jazz Appreciation

 

Patsy Gamble Quartet

11th May 2018

Friday the 11th May saw a return visit to the Bonded Warehouse, Stourbridge by the Patsy Gamble Quartet. Patsy, mainly on alto but also on tenor with some vocals thrown in, was supported by John Broomhall on keyboards, Mark Butler on bass and Seamus Denver on drums. They produced two thoroughly enjoyable, bluesy sets over a variety of material that went down very well with the audience.

Any notion that this might be an evening of R&B with honking sax and pounding on the keyboard could not be further from the truth. No, the quartet gave us proper, up to date blues based jazz. Patsy plays expressive sax with strong melodic lines - more edgy on the alto which I especially enjoyed. But the tenor was equally good, as was the rapport with John Broomhall who gave us some delightful solos.

The more bluesy numbers included a couple of Stanley Turrentine compositions, especially the excellent Sugar - groovy with some passionate alto and swinging in the best tradition of Blue Note and the heyday of hard bop. Among a selection of standards, All The Things You Are showed both tenor and keyboard to good effect. Also notable was a lovely tribute to Barbara Thompson, where the quartet stretched out at slow/medium tempo, with Patsy on alto and John showing some deft touches on the keyboard. Add to all this some of Patsy's own compositions from the latest CD - Warsaw Nights - to make up a nicely balanced programme which delivered all you want from an evening of live jazz.

 

Sue McCreeth Quartet - 13 April 2018

 

By Ian Scott, Kingswinford U3A Jazz Appreciation

 

Sue McCreeth Quartet

13th April 2018

Friday the 13th proved lucky for those who went to the Bonded Warehouse, Stourbridge. They were treated to night of great jazz from a quartet of talented musicians led by accomplished vocalist Sue McCreeth. This was only the second time this group had played together, but that probably added to the immediacy of their performance: live jazz in the making. Sue ranged across a variety of often challenging material with songs by Ray Noble and George Gershwin, through Horace Silver to Wayne Shorter, plus a couple of her own compositions and a remarkable improvisation on a piece by one F Delius.

Sue's mellow vocals, maintained throughout the scales, were ably supported by Wendy Kirkland's swinging, bluesy piano, Pat Sprakes on a proper double bass and Jon Richmond on drums. They just got better as the night wore on, probably helped by the rapport between performers and a good-sized audience. A couple of standouts for me were God Bless the Child, a song not for the faint hearted given Billie Holiday's definitive version, and Twenty First Century Blues which was given a rocking up-tempo treatment with good work by all and a well-built piano solo from Wendy. I've mentioned these two songs but I could just as easily have picked others.

They say great jazz is transient: you have to be there to hear it. Once again Jazz at the Bonded Warehouse proved it is very much on the up.

 

Chris Gumbley's Anything Goes - 13 January 2017

 

By Alan Musson

 

Chris Gumbley's Anything Goes

13th January 2017

The guys and girls down at The Bonded Warehouse like to include a healthy dose of good humour in their events. This has become even more apparent since Stourbridge vocalist Devon Harrison has taken over front of stage responsibilities. There surely cannot be anyone else in the local jazz community so enthusiastic for the music that he loves and this comes across clearly in his pre-concert repartee each month. If you need an injection of high spirits, particularly during these cold mid-Winter evenings, there is no better place to be than in Devon’s company.

The first attraction in the 2017 jazz calendar was saxophonist and clarinettist Chris Gumbley. Chris has been a regular visitor to the club over the years and never fails to entertain. His enthusiasm for the music almost matches that of Mr Harrison. Add to his clear musical prowess and his confident stage manner and you have all of the ingredients for a fun-fuelled night of music-making.

This time, Chris brought his new project to town. He calls the group ‘Anything Goes’. It boasts an unusual line-up featuring Karen Street on accordion and Fred Thelonious Baker on acoustic and electric guitars and bass guitar alongside the leader on alto and tenor saxophones and clarinet. Special guest Tina May providing vocals was the icing on this mellifluous jazz cake.

The repertoire for the night’s entertainment was nothing less than eclectic. It included jazz classics but re-cast in fresh and unusual arrangements.

The first set opened with a trio version of Fred Baker’s composition ‘Life Samba’ and it was interesting to hear how the trio’s version differed from Fred’s own version to be found on his solo album ‘Life Suite’. It even included a quotation from ‘Norwegian Wood’ which seemed totally apposite.

A solo version of Antonio Carlos Jobim’s composition ‘How Insensitive’ by Karen on accordion was a highlight of the first set. This song heralded the arrival on stage of Tina May who opened her contribution with another Jobim tune ‘No More Blues.’ This was quickly followed with a song written by Michelle Legrand; ‘Watch What Happens’ with a lovely bass guitar introduction from Fred Baker who underpinned the first chorus, until Chris entered on tenor saxophone.

‘I Will Wait’ was another outstanding contribution from Tina May, written by Edith Piaf and again introduced by Fred Baker on bass guitar.

For good measure, Tina also included some be-bop vocalise with Charlie Parker’s composition ‘Scrapple from the Apple’.

The second set opened with a solo bass feature from Fred Baker starting with his own composition ‘Bonneville Blues’ It remains a mystery to me why this world-class musician is not better known. Perhaps it is due to his own modesty and quiet persona.

Chris’ unusual arrangement of Paul Desmond’s ‘Take Five’ was a fine showcase for his alto saxophone. Karen Street’s lovely ‘Waltz for Zoe’ followed.

Tina May returned to the stage with ‘Tea for Two’. The accordion accompaniment seemed most appropriate. Outstanding in the second set was Tina’s rendition of ‘Them There Eyes’.

All-in-all another great evening of music making and good humour, just proving that there is nothing intimidating about a jazz performance so why not get down to The Bonded Warehouse, more top rate jazz and good humour is guaranteed.

 

Casey Greene - 9 December 2016

 

By Alan Musson

 

Casey Greene’s Farewell Jam

9th December 2016

Under the flamboyant leadership of Stourbridge vocalist Devon Harrison, the long-established jazz sessions at The Bonded Warehouse have recently entered a new and exciting era.

The concert on 9th December was both a fitting finale to the year’s activities and an auspicious way to mark the final appearance in the UK for Australian saxophonist and flautist Casey Greene. It is a mark of the esteem in which his Antipodean musician is held that so many fellow musicians were able to come along to bid him a fond farewell.

Greene has become a popular and well established member of the jazz community in the Midlands and beyond during his twelve year residency.

Tonight, his core Quintet completed by regular collaborators Tim Amann (piano) Simon King (guitar), Ben Markland (bass) and Carl Hemmingsley (drums) were expanded to include local trumpet hero Ray Butcher and the delightful Martina Biguzzi playing flute and alto-flute. This gave ample opportunity for Greene to showcase some of his own compositions and some well-chosen jazz ‘standards’.

As the evening progressed various guests added their talents to the proceedings including the ubiquitous Tom Hill on double-bass and vocals, Liam Byrne on tenor saxophone and vocalists Linda Angelis, Roy Forbes, Devon Harrison and Angel. There was even time for an impromptu dance routine featuring Angel with the omnipotent Mr Harrison which added greatly to the good-time party atmosphere.

All credit to Devon Harrison for so willingly and enthusiastically taking over the reins at Stourbridge’s premier jazz club, but credit must also be given to the loyal band of volunteers working ceaselessly behind the scenes to ensure that the evening was such a great success. However, this is something that they are well used to as they willingly give their time every month to ensure the jazz sessions run seamlessly.

 

If you wish to pass any comments to the team at The Bonded Warehouse then please use the Contact Us link on the Home page.

 

© Webmaster jazzbw.org.uk. All rights reserved.